Sebitiyin - The Jewish Songs of Gnawa in New York City
Thursday, April 20, 2017 at 8:00 pm
In this evening of deep cuts from the Moroccan gnawa repertoire, Innov Gnawa honors the strength of Moroccan national identity to transcend religious distinctions with a rare performance of the Jewish songbook of this ancient Moroccan musical tradition.
at Greenwich House Music School
46 Barrow Street, New York City
In addition to being the name of this trance-inducing musical style, the term "gnawa" also refers to the people originally from kingdoms spanning Mali to Ghana who were enslaved by the Moorish rulers and brought North to present-day Morocco. The Jewish presence in Morocco dates back to over 2,500 years ago and upon interaction with the gnawa community, a bond formed over appreciation for gnawa music and its healing powers.
Gnawa music pre-dates Islam and originally centered around animistic, spiritual, mystical concepts sung in sub-Saharan languages such as Bambara, Fulani, and Sudani. Upon embracing Islam, gnawa songs began to incorporate Arabic language and themes around the Muslim prophets. "Sebitiyin," meaning The Saturdays in Moroccan Arabic, is the collection of songs that grew out of the gatherings hosted by the Jewish community for the revered gnawa maalems whom they deeply respected. Themes of these songs still include the original elements of spirits and the natural world, and later came to incorporate shared saints from their Abrahamic traditions. Today, it is still rare to find a maalem that knows this full repertoire so we are especially lucky to have Maalem (Master) Hassan Ben Jaafer, son of the late Abdallah Ben Jaafer, lead us through a powerful moment of unity in music.
|Photo Credit: Kevin Yatarola — with Maalam Hassan Benjaafar, Samir LanGus and Amino Belyamani at Lincoln Center|
For the uninitiated, gnawa music is the ritual trance music of Morocco's black communities, originally descended from slaves and soldiers once brought to Morocco from Northern Mali and Mauritania. Often called "The Moroccan Blues," gnawa music has a raw, hypnotic power that's fascinated outsiders as diverse as writer/composer Paul Bowles, jazz giant Randy Weston and rock god Jimi Hendrix. The music is utterly singular, played on an array of unique instruments -- from the lute-like sintir that the Maâlem uses to call the tune, to the metal qarqaba (castinets) with which the kouyos (chorus) keep time and pound out clattering, hypnotic rhythms.
Hailed by Brooklyn Magazine as one of the "5 Bands You Need to Know in Brooklyn's Arabic Music Scene," Innov Gnawa make great use of this traditional repertoire, and add their own, contemporary spin with additional African and Latin percussion. Taken as a whole, this exciting new outfit works hard to fuse a centuries old North African tradition with the pulse and attitude of New York City.
Personnel and Instrumentation:
Maalem (Master) Hassan Ben Jaafer - Vocals and Sintir
Samir Langus - Vocals and Qraqeb (Castanets)
Amino Belyamani - Vocals and Qraqeb (Castanets)
Ahmed Jeriouda - Vocals and Qraqeb (Castanets)
Nawfal Atiq - Vocals and Qraqeb (Castanets)
Said Bourhana - Vocals and Qraqeb (Castanets)
- For full performance details, click here.