Skip to main content

TIFF Interview: In conversation with Dorothée Van Den Berghe & Matthias Schoenaerts

In conversation with Dorothée Van Den Berghe (writer/director) & Matthias Schoenaerts (actor - Raven) from the enjoyable flick, My Queen Karo, which received its World Premiere at the Toronto International Film Festival.

Check out my review here for more background on the film and story, and the trailer here. As a writer, Van Den Berghe used her own experiences to flesh out the details of squatter culture in Amsterdam in the mid-seventies. Like Karo, she arrived with her parents from Belgium and grew up in those heady days.


ACM: One of the things I thought really succeeded in the film was that it really seemed to capture a 10 year old girl's point of view - without actually being a film for children. How did you approach that aspect of the film?

Dorothée: The main reason I wanted to use that point of view is that it's such a complex thing to talk about, the 1970's. I would have had to make an elaborate documentary, social research... This way, I have a very specific angle, a very specific view of that time.

ACM: As an actor, you've played a wide variety of roles. What drew you to this project in particular?

Matthias: First of all, it's the second time we've worked together. I made another film with Dorothée (2002's Meisje), so to work together again was a heartwarming experience. I was also fond of the script. While I didn't experience it, the 1970's, I tried to inspire myself by reading up on the art and music of the period.

ACM: How did you come to find such a perfect actress (Anna Franziska Jaeger) to play Karo, who really is the centre of the film?

Dorothée: It's a long story! I saw her in a shop and I knew it was her, she was exactly what I wanted. I really followed this girl, and (kept tabs on her). The film took two years to put together, and by that time, she was too old for the part as I had written. She had breasts already, and the part I had written was definitely for a child who was younger than that. So.. I held auditions and auditions, but I never found that quality, what I found in her. I rewrote the script, then, and we had to rethink how to shoot the nudity, for example, because of her breasts. But I think it puts the film into a better perspective, a child that age.

ACM: True - a preteen has the awakenings of discerning judgement, and will begin to question the world of her parents.

Dorothée: What you felt, while you were shooting, is that she really understood it - not the time period, not exactly the same, but the idea of parents living separate lives.

ACM: That's certainly what resonated with me as well, the idea of a child maturing, seeing her parents' frailties and wanting to go her own way, something that connects with modern audiences as well. I have to tell you, while I was watching it, with my North American sensibilities, I felt like something really terrible was about to happen towards the end. If this were a North American film, it would have been a morality play - people would have died or something..

Matthias: Exactly, that's the strength of the film. It's a time document - une tranche de vie - an honest one. I was impressed with the energy of those times, I tried to capture that.

ACM: I like how nuanced it was. Even with your character, Raven, who can certainly be seen as unsympathetic, it wasn't a black and white portrait.

Matthias: No, there was true love involved, that was authentic, love for his first wife, his second wife, and for the child. Certainly, he was selfish..

ACM: ..but aren't we all?

(More about the film here)

Comments

Popular posts from this blog

Film News - imagineNATIVE Embargo Collective at the Berlin Film Fest

Hot Off the Presses:
(and gosh, doesn't that expression sound quaint these days?)

imagineNATIVE’s EMBARGO COLLECTIVE
to have its European Premiere at the Berlin International Film Festival 2010
(Internationale Filmfestspiele Berlin 11.-21.02.10)

(Toronto, February 3rd, 2010) The imagineNATIVE Film + Media Arts Festival is pleased to announce the official selection of the festival’s Embargo Collective programme for the Forum Expanded section of this year’s Berlin International Film Festival. This programme of works was commissioned by the imagineNATIVE festival for its 10th anniversary and will have its European premiere Monday, February 15th, 8.30pm at Cinema Arsenal 2 and a repeat screening Wednesday, February 17th, 4pm at CinemaxX 6.

Curated by imagineNATIVE’s Artistic Director Danis Goulet, the Embargo Collective is an international group of seven Indigenous artists at the forefront of the changing global landscape of Indigenous cinema. Inspired by Lars von Trier’s The Five Obstructi…

Esmeralda Enrique Spanish Dance Company Spring 2013 Toronto Performances

From a media release:

The new season brings
Esmeralda Enrique Spanish Dance Company
to new heights and new audiences

March 20-24, 2013 - A Night in Madrid
April 25-28, 2013 - Annual Toronto Season - World Premiere of Portales

TORONTO : Following on the heels of Esmeralda Enrique Spanish Dance Company's (EESDC) 30th anniversary year where its production Aguas/Waters was named one of the top five dance shows of 2012 by NOW Magazine, the early months of 2013 are full of excitement and possibility for Esmeralda and the company, which brings the finest flamenco and Spanish Classical Dance to Toronto stages.

March 20-24, 2013 - A Night in Madrid
Company dancers Esmeralda Enrique and Paloma Cortés perform Spanish Classical dance with the celebrated Tafelmusik Baroque Orchestra and Chamber Choir for A Night in Madrid featuring the Iberian flavoured music of composer Luigi Boccherini who made his home in Spain. His work is infused with the sounds of Spanish and gypsy folk music.

March 20-24 …

Guitar Rock | Happy Freuds - Echo Of Sounds Independent: May 31, 2019

Guitar Rock
Happy Freuds - Echo Of Sounds
Independent: May 31, 2019
Stream/Buy on Bandcamp
Stream it on Spotify

With tight musicians and intriguing lyrics, Happy Freuds delivers high energy guitar rock with stylistic flair on Echo Of Sounds, their debut release. Produced with a minimum of overdubs or fixes, the album consists of a mix of original material, rearrangements of works from others and selected, less known, classic rock.

A kinetic rhythm section is the bones of the music, offering interesting patterns that augment sometimes unexpected harmonic changes. It's brainy rock, in other words, meant for music lovers who can appreciate the quality. Teo's vocals are raspy and expressive, growly when necessary - perfect for the musical mode. Teo also covers lead guitar, adapt at ear worm leads, with a tone that can be clean or dirty as required

Their sound ranges from straight up hard rock in tracks like The Mountain to the pop-flavoured acoustic Background Noise and folky To …