Skip to main content

Spotlight on Taiwan - Part of imagineNATIVE 2010

Spotlight on Taiwan
Part of the imagineNATIVE Film + Media Arts Festival
October 23, 2010

It's kind've ironic that I stopped watching the news, or TV in general, a few years ago, but find I'm much better informed about what really goes on in the world via the arts these days.  If I'd waited to hear about the indigenous people of Taiwan via the mainstream media, for instance, I'd be waiting till doomsday, I think.

As has happened within the indigenous peoples of North America, there's been a renaissance of sorts in the arts of the indigenous people of Taiwan in recent years, with a particular emphasis on film. This interesting programme presented the work of three filmmakers whose work talks about traditional culture  and its modern expressions in documentary form.

Tribal Heartbeats: Tsou Fish Story
Directed by Kao Chichang
Produced by Yang Kuangpyao (2010)
Shot in the Alishan Mountains where the filmmaker is from, the film talks about the lives of the Tsou people and clans who live in the Lijia village on the river called Niyawujhina upstream, and Danayigui downstream. When the Alishan highway came to the area, it brought convenience, but environmental degradation too, and the Chinese who came to poison the eels used in traditional medicines. The poisons also killed the carp that the Tsou relied on, and much of the story is taken up with the successful quest to restore the carp populations and protect the river. Much negotiating took place between clan elders who didn't want to give up their traditional river rights, but eventually cooperation between the people of the Niyawujhina and Danayigui areas prevailed.

The film is really part documentary, part poetry, where the verdant beauty of the land and river really takes centre stage. Sadly, as producer Yang Kuangpyao mentioned before the screening took place, a typhoon in August of last year completely destroyed the river and the area depicted in the film. He said he was glad he'd had a chance to film it before it was gone.

What Men Don't Know
Directed by Xie-Fui-mei
Produced by Chang Chia-wei (2009)
When the men of the Tao people go fishing for flying fish - thought to be a gift to them from the sky god - during the season they call Mirayon (about March to September,) they work from before dawn till after dusk. For a man, fishing skill = social status. The women of this Lanyu Island have a custom they keep in gratitude - digging for land crabs in preparation of Miganagana, a feast held during Mirayon.

The film follows the women and the life of the people in simple documentary fashion. Catching land crabs means they travel uphill, and simply dig in the dirt. Once they've dug down to a crab's lair, however, the fun begins. The crabs naturally use their formidable defences, greeting the giggling women with snapping claws. It's tricky work, but that's the idea - their hard work in exchange for the hard work of the tribe's men. With the crabs, they make a kind of crabcake with taros (a cousin of the yam) and at Miganagana, they visit male relatives with plates full. (Intersestingly, they similary honour midwives.)

A Kuroshio Love Story
Directed by Maraos (2009)
The Kuroshio is an ocean current than runs between Lanyu Island and Batanes, in the Philippines. The area is abundant with sea life, and traditional lifestyles were geared to the rhythm of the ocean, typhoons and resulting torrential rains.

This film follows a couple of different threads. There's the old timer who complains about Westernization, the modern concrete housing that's not as well equipped to withstand the rain as traditional dwellings, climate change that has brought less rain to the area. "These kids don't know how to farm," he laments. Another constant thread is the love story of the title, between a man from Lanyu Island and the wife he found in Batanes.

The traditional way of life and its metamor- phoses into the modern era is examined through their daily lives, and a trip back to Batanes for the couple to visit the woman's daughter that she left behind. The land and the water figure prominently in this film, as in all three, here with gorgeous underwater shots that effectively convey both the beauty of the area and the way the lives of the people are interwoven into it.

Through all three films, and in particular in the context of the imagineNATIVE Festival, it was impossible not to notice the similarities between indigenous cultures. The boats built by the Tao and Tsou are very similar to North American canoes, and even traditional dress features some similarities - not hard to understand when those traditional modes of living were all based on the land.


Popular posts from this blog

Film News - imagineNATIVE Embargo Collective at the Berlin Film Fest

Hot Off the Presses:
(and gosh, doesn't that expression sound quaint these days?)

to have its European Premiere at the Berlin International Film Festival 2010
(Internationale Filmfestspiele Berlin 11.-21.02.10)

(Toronto, February 3rd, 2010) The imagineNATIVE Film + Media Arts Festival is pleased to announce the official selection of the festival’s Embargo Collective programme for the Forum Expanded section of this year’s Berlin International Film Festival. This programme of works was commissioned by the imagineNATIVE festival for its 10th anniversary and will have its European premiere Monday, February 15th, 8.30pm at Cinema Arsenal 2 and a repeat screening Wednesday, February 17th, 4pm at CinemaxX 6.

Curated by imagineNATIVE’s Artistic Director Danis Goulet, the Embargo Collective is an international group of seven Indigenous artists at the forefront of the changing global landscape of Indigenous cinema. Inspired by Lars von Trier’s The Five Obstructi…

Esmeralda Enrique Spanish Dance Company Spring 2013 Toronto Performances

From a media release:

The new season brings
Esmeralda Enrique Spanish Dance Company
to new heights and new audiences

March 20-24, 2013 - A Night in Madrid
April 25-28, 2013 - Annual Toronto Season - World Premiere of Portales

TORONTO : Following on the heels of Esmeralda Enrique Spanish Dance Company's (EESDC) 30th anniversary year where its production Aguas/Waters was named one of the top five dance shows of 2012 by NOW Magazine, the early months of 2013 are full of excitement and possibility for Esmeralda and the company, which brings the finest flamenco and Spanish Classical Dance to Toronto stages.

March 20-24, 2013 - A Night in Madrid
Company dancers Esmeralda Enrique and Paloma Cortés perform Spanish Classical dance with the celebrated Tafelmusik Baroque Orchestra and Chamber Choir for A Night in Madrid featuring the Iberian flavoured music of composer Luigi Boccherini who made his home in Spain. His work is infused with the sounds of Spanish and gypsy folk music.

March 20-24 …

Guitar Rock | Happy Freuds - Echo Of Sounds Independent: May 31, 2019

Guitar Rock
Happy Freuds - Echo Of Sounds
Independent: May 31, 2019
Stream/Buy on Bandcamp
Stream it on Spotify

With tight musicians and intriguing lyrics, Happy Freuds delivers high energy guitar rock with stylistic flair on Echo Of Sounds, their debut release. Produced with a minimum of overdubs or fixes, the album consists of a mix of original material, rearrangements of works from others and selected, less known, classic rock.

A kinetic rhythm section is the bones of the music, offering interesting patterns that augment sometimes unexpected harmonic changes. It's brainy rock, in other words, meant for music lovers who can appreciate the quality. Teo's vocals are raspy and expressive, growly when necessary - perfect for the musical mode. Teo also covers lead guitar, adapt at ear worm leads, with a tone that can be clean or dirty as required

Their sound ranges from straight up hard rock in tracks like The Mountain to the pop-flavoured acoustic Background Noise and folky To …