Skip to main content

Ash, Part 4 of The Mill Premieres at Toronto's Young Centre Jan 12-29

From a media release:

In Association with the Young Centre for the Performing Arts Presents

The Mill (Part 4) : Ash
Written by Damien Atkins
Directed by Vikki Anderson
January 12 - 29, 2011 at the Young Centre for the Performing Arts, Toronto

THE MILL stands: battered and surrounded by ash. Inside, five young people are clinging to life. A surprising conclusion to the series, ASH is a dark and poignant fable that confronts the sins of our ancestors and our struggle to find hope in the darkest of corners of our nation's past - and within the mill itself. Can hope take root on such poisoned ground?

Spanning 400 years in four plays, The Mill is Theatrefront's modern day ghost story that examines Canada's haunted relationship with its past. THE MILL is the biggest project ever undertaken by Theatrefront - a series of four full-length plays, written by four Canadian playwrights, starring the same ensemble of actors. THE MILL swept the 2010 Dora Mavor Moore Awards, receiving seven nominations and four awards in the Independent category.

The four plays of the cycle can be seen in any order or stand on their own as complete stories. If you missed the first runs, you can catch up on the three previous parts of The Mill in special performances.

Part 1: Now We Are Brody
By Matthew MacFadzean
Directed by Daryl Cloran
January 20 & 26, 2011

1850. The mill is boarded up.
The townsfolk of Brody are attempting to bury a dark secret when the arrival of a young woman with the deed to the mill threatens to change everything.

Part 2: The Huron Bride
By Hannah Moscovitch
Directed by Christian Barry
January 21 & 27, 2011

1834. The mill is fully operational.
A young woman braves the perilous journey across the Atlantic to work as a hired hand at The Mill and find herself engaged to its owner, but will the ghost of his ex-wife spoil their wedding plans?

Part 3: The Woods by Tara Beagan
Directed by Sarah Garton Stanley

1640. The mill does not yet exist.
The land is the site of a First Nations burial ground. The interactions between the First Nations people and the first settlers put the wheel in motion for the terror that will haunt this area for hundreds of years to come.
(Image below of Ryan Hollyman & Michelle Lattimer by Chris Gallow)

THE MILL (Part 4): Ash
Written By: Damien Atkins
Directed By: Vikki Anderson
Featuring: Maev Beaty, Frank Cox-O'Connell, Eric Goulem, Natasha Greenblatt, Richard Greenblatt, Ryan Hollyman and Michelle Monteith

Creative Team
Set Design: Gillian Gallow
Costume Design: Laura Gardner
Lighting Design: Andrea Lundy
Sound Design and Composition: Richard Feren
Projection Design: Ben Chaisson
Production Manager: Doug Morum
Props Master / Set Decoration: David Hoekstra
Stage Manager: Krista Blackwood
Assistant Stage Manager: Nicola Benidickson
Fight Director / Stunts / Key Rigger: Simon Fon
Producer: Sue Balint

Theatrefront believes in crossing borders – both geographic and artistic - to create unique dramatic work infused with music, movement and media. Since its first Toronto production in 1999, numerous Dora nominations and critical acclaim have placed Theatrefront at the forefront of Canada’s independent theatre community.

Led by Artistic Director Daryl Cloran, Theatrefront’s productions are self-devised, created collaboratively by the ensemble and often take them abroad.  Acclaimed productions of RETURN (The Sarajevo Project) in 2006 and UBUNTU (The Cape Town Project) in 2009 were both created in collaboration with foreign artists before their Toronto premieres.

THE MILL now brings Theatrefront back to Canada for an investigation of our own national identity.


Popular posts from this blog

Film News - imagineNATIVE Embargo Collective at the Berlin Film Fest

Hot Off the Presses:
(and gosh, doesn't that expression sound quaint these days?)

to have its European Premiere at the Berlin International Film Festival 2010
(Internationale Filmfestspiele Berlin 11.-21.02.10)

(Toronto, February 3rd, 2010) The imagineNATIVE Film + Media Arts Festival is pleased to announce the official selection of the festival’s Embargo Collective programme for the Forum Expanded section of this year’s Berlin International Film Festival. This programme of works was commissioned by the imagineNATIVE festival for its 10th anniversary and will have its European premiere Monday, February 15th, 8.30pm at Cinema Arsenal 2 and a repeat screening Wednesday, February 17th, 4pm at CinemaxX 6.

Curated by imagineNATIVE’s Artistic Director Danis Goulet, the Embargo Collective is an international group of seven Indigenous artists at the forefront of the changing global landscape of Indigenous cinema. Inspired by Lars von Trier’s The Five Obstructi…

Esmeralda Enrique Spanish Dance Company Spring 2013 Toronto Performances

From a media release:

The new season brings
Esmeralda Enrique Spanish Dance Company
to new heights and new audiences

March 20-24, 2013 - A Night in Madrid
April 25-28, 2013 - Annual Toronto Season - World Premiere of Portales

TORONTO : Following on the heels of Esmeralda Enrique Spanish Dance Company's (EESDC) 30th anniversary year where its production Aguas/Waters was named one of the top five dance shows of 2012 by NOW Magazine, the early months of 2013 are full of excitement and possibility for Esmeralda and the company, which brings the finest flamenco and Spanish Classical Dance to Toronto stages.

March 20-24, 2013 - A Night in Madrid
Company dancers Esmeralda Enrique and Paloma Cortés perform Spanish Classical dance with the celebrated Tafelmusik Baroque Orchestra and Chamber Choir for A Night in Madrid featuring the Iberian flavoured music of composer Luigi Boccherini who made his home in Spain. His work is infused with the sounds of Spanish and gypsy folk music.

March 20-24 …

Guitar Rock | Happy Freuds - Echo Of Sounds Independent: May 31, 2019

Guitar Rock
Happy Freuds - Echo Of Sounds
Independent: May 31, 2019
Stream/Buy on Bandcamp
Stream it on Spotify

With tight musicians and intriguing lyrics, Happy Freuds delivers high energy guitar rock with stylistic flair on Echo Of Sounds, their debut release. Produced with a minimum of overdubs or fixes, the album consists of a mix of original material, rearrangements of works from others and selected, less known, classic rock.

A kinetic rhythm section is the bones of the music, offering interesting patterns that augment sometimes unexpected harmonic changes. It's brainy rock, in other words, meant for music lovers who can appreciate the quality. Teo's vocals are raspy and expressive, growly when necessary - perfect for the musical mode. Teo also covers lead guitar, adapt at ear worm leads, with a tone that can be clean or dirty as required

Their sound ranges from straight up hard rock in tracks like The Mountain to the pop-flavoured acoustic Background Noise and folky To …