Skip to main content

Yemen Blues North American Tour February - March 2011

From a media release - this music is haunting and extraordinarily beautiful:

Yemen Blues, Spring 2011 Tour Moments of Deep Desert Soul:
The Invocations of Yemen Blues on North American Debut Tour
February 24 in Vancouver, the 26th in Toronto, then Chicago, NYC, LA & other dates throughout the U.S. from February 27 to March 10, 2011

"Yemen Blues is THE discovery of the year" (WDR Funkhaus Europa, Germany)

If Blind Willie Johnson hung out with North African trance musicians or if Stevie Wonder studied Yemenite chants, it would sound like Yemen Blues. Raw yet refined, the group's nine eclectic musicians bang on olive cans, hit elusive microtones, and sing in invented languages.

North America will get its first real taste of the ensemble, powered by lead singer Ravid Kalahani's distinctive charisma, on tour this February and March, as Yemen Blues makes its debut in cities across the continent. Led by musical director and seasoned jazz bassist Omer Avital, the group conjures a world where Arabic and Jewish, African and Middle Eastern, blues and funk all interweave with a depth of a feeling that has sent Moroccan émigrés in Marseilles into ululations and wowed seasoned music professionals at WOMEX.

Kalahani is all about creating what he calls "moments of soul" for audiences, swooping from clear falsetto into a gravelly baritone, switching from Yemenite Arabic to Hebrew to Haitian Creole. Growing up singing Yemenite chants at synagogue, the young Kalahani would make up songs in invented languages and sing them as he walked down the street (a technique he returns to on the rumbling, grooving "Wamid").

Kalahani left home as a young teen and discovered a world of other sounds: soul, blues, West African pop. He spent hours alone listening to music. He absorbed everything he could, finding a resonance in Delta blues voices that reminded him of his own Yemenite heritage. He considered acting, playing trumpet, studying dance.

But singing called. Kalahani found himself performing one evening as part of a modern dance piece. "I was standing there in front of a thousand people and singing in this very high falsetto," Kalahani recalls. "I was in ecstasy. My body felt like it was burning. I decided then and there that this is what I wanted to do with my life."

This ecstasy and what Kalahani calls "a deep place of singing" was tangible to Avital, who couldn't believe his ears when someone played him a recording of Kalahani: "The singer sounded like a super authentic Arabic African singer," recounts Avital. "It was so strong and surprising to hear someone from my generation and background sound so good and authentic and strong. Ravid has the power of traditional Yemenite Jewish music."

Together, Avital and Kalahani worked to find fitting arrangements for Kalahani's original songs. Avital's appreciation for jazz masters like Ellington and Mingus mingled with his understanding of Arabic maqamat, the complex system of modes and melodies he was learning to explore as he studied the oud (Arabic lute). Avital's own musical journey back to his North African and Yemenite Jewish roots paralleled Kalahani's.

"I didn't want to see this amazing material go to waste," Avital notes. "It would have been so easy to ruin it. But we fit, coming from Yemenite tradition, but both with strong blues and African connections. Our musical searches met." So Avital shied away from typical pop approaches: He arranged pieces in the common Yemenite dance meter of 7/4. He avoided the common rendering Arabic modes as either major or minor.

This presented welcome challenges to the group of friends, all top musicians, Avital and Kalahani began to gather for regular jams. Jazz flute player Hadar Noiberg spent months perfecting her intonation, getting just the right feel for the quartertones. Hilla Epstain (cello) and Galia Hai (viola) leaped into the role of rhythm section, powering the songs forward as Avital jumped on the oud. Along with Middle Eastern percussion specialist Yohai Cohen, percussionist Rony Iwryn brought his sixth sense for percussion, honed during a stint in Yemenite Israeli pop star Ofra Haza's band, rattling keys and thrumming out gorgeous beats on olive tins.

"We didn't want any guitars or keyboards, because this isn't really a pop or a world music thing," explains Avital. "We just keep to African rhythms, Eastern sounds, and jazz in the horn section"-which includes trombonist Avi Lebovich (who's played with everyone from Chick Corea to Bootsy Collins) and trumpet player Itamar Borochov. "We keep it raw and that's what makes it interesting. It's a shifting family of voices, not just a sound."

For Kalahani, it's not just music, either: it's a deep invocation. Kalahani sings about his love for the desert, about the unity of language and experience, about gratitude for life's gifts. Songs like "Baraca" and "Min Kalbi" exclaim, "Your language is my language," Kalahani says. "It doesn't matter to which god you pray, so long as the melody comes from heart. This is exactly what I want to sing all the time, what I want to give people when I sing."

Kalahani's voice, backed by Yemen Blues's musical prowess, can indeed leap boundaries of language and religion. At a recent show in Marseilles, France, "there were Muslims and Christians and people of all kinds dancing. The Muslims loved it, and there was something connecting us and reminding them of home," Kalahani reflects. "I want people to enjoy the groove and melodies and be together, with all their different religious and political opinions, and to know there is a base connecting us all. That can change everything."

Yemen Blues, Spring 2011 Tour:

February 24 in Vancouver
Venue Nightclub
Doors open at 8pm - limited seating

February 26 in Toronto
Presented by: Ashkenaz 
9:00 PM @ The Mod Club
$25 Advance, $30 @ the door

U.S. Tour Schedule:

02/27/2011, Sun - Chicago, IL
Old Town School of Folk Music
Tix: $16-$20, Show: 7:30 pm

03/01/2011, Tue - Philadelphia, PA
Rodeph Shalom Synagogue
Tix: $36-$180, Show: 8:00 pm

03/02/2011, Wed - Seattle, WA
The Triple Door
Tix: $25, Doors Open: 5:00 pm, Show: 7:00 pm

03/05/2011, Sat - Berkeley, CA
Freight & Salvage
Tix: $25.50-$30.50, Doors Open: 7:00 pm, Show: 8:00 pm

03/06/2011, Sun - Los Angeles, CA
Troubadour
Tix: $25, Show: 7:00 pm

03/09/2011, Wed - New York, NY
Le Poisson Rouge
Tix: $20, Doors Open: 7:00 pm, Show: 8:00 pm

03/10/2011, Thu - Needham, MA
Somerville Theatre
Tix: $20-$30, Show: 8:00 pm

Image credits from top to bottom:
• erAno
• Laurent Burst

Comments

  1. So beautiful!! Want to listen over & over again. Jennifer

    ReplyDelete
  2. So beautiful! Forever listening music. Its awakens very deep existential feelings, like roots that manifest themselves when normally they are hidden.

    ReplyDelete

Post a Comment

Popular posts from this blog

Film News - imagineNATIVE Embargo Collective at the Berlin Film Fest

Hot Off the Presses:
(and gosh, doesn't that expression sound quaint these days?)

imagineNATIVE’s EMBARGO COLLECTIVE
to have its European Premiere at the Berlin International Film Festival 2010
(Internationale Filmfestspiele Berlin 11.-21.02.10)

(Toronto, February 3rd, 2010) The imagineNATIVE Film + Media Arts Festival is pleased to announce the official selection of the festival’s Embargo Collective programme for the Forum Expanded section of this year’s Berlin International Film Festival. This programme of works was commissioned by the imagineNATIVE festival for its 10th anniversary and will have its European premiere Monday, February 15th, 8.30pm at Cinema Arsenal 2 and a repeat screening Wednesday, February 17th, 4pm at CinemaxX 6.

Curated by imagineNATIVE’s Artistic Director Danis Goulet, the Embargo Collective is an international group of seven Indigenous artists at the forefront of the changing global landscape of Indigenous cinema. Inspired by Lars von Trier’s The Five Obstructi…

Esmeralda Enrique Spanish Dance Company Spring 2013 Toronto Performances

From a media release:

The new season brings
Esmeralda Enrique Spanish Dance Company
to new heights and new audiences

March 20-24, 2013 - A Night in Madrid
April 25-28, 2013 - Annual Toronto Season - World Premiere of Portales

TORONTO : Following on the heels of Esmeralda Enrique Spanish Dance Company's (EESDC) 30th anniversary year where its production Aguas/Waters was named one of the top five dance shows of 2012 by NOW Magazine, the early months of 2013 are full of excitement and possibility for Esmeralda and the company, which brings the finest flamenco and Spanish Classical Dance to Toronto stages.

March 20-24, 2013 - A Night in Madrid
Company dancers Esmeralda Enrique and Paloma Cortés perform Spanish Classical dance with the celebrated Tafelmusik Baroque Orchestra and Chamber Choir for A Night in Madrid featuring the Iberian flavoured music of composer Luigi Boccherini who made his home in Spain. His work is infused with the sounds of Spanish and gypsy folk music.

March 20-24 …

Guitar Rock | Happy Freuds - Echo Of Sounds Independent: May 31, 2019

Guitar Rock
Happy Freuds - Echo Of Sounds
Independent: May 31, 2019
Stream/Buy on Bandcamp
Stream it on Spotify

With tight musicians and intriguing lyrics, Happy Freuds delivers high energy guitar rock with stylistic flair on Echo Of Sounds, their debut release. Produced with a minimum of overdubs or fixes, the album consists of a mix of original material, rearrangements of works from others and selected, less known, classic rock.

A kinetic rhythm section is the bones of the music, offering interesting patterns that augment sometimes unexpected harmonic changes. It's brainy rock, in other words, meant for music lovers who can appreciate the quality. Teo's vocals are raspy and expressive, growly when necessary - perfect for the musical mode. Teo also covers lead guitar, adapt at ear worm leads, with a tone that can be clean or dirty as required

Their sound ranges from straight up hard rock in tracks like The Mountain to the pop-flavoured acoustic Background Noise and folky To …