Skip to main content

Spanish Cinema Now: December 9 to 22 in New York City

From a media release:

Spanish Cinema Now
December 9 to 22, 2011
Film Society of Lincoln Center, New York City


NEW YORK CITY - Spanish Cinema Now is one of the Walter Reade Theater’s longest-running series, first presented in October 1992. Since then, annual film production in Spain has moved from about 40 movies per year into the triple digits. Audiences in Spain are not only growing, they are considerably younger nowadays, while the links between Spanish and Latin American cinema are stronger than ever. Latin American actors, directors and technicians are enriching the Spanish industry, and co-productions are at an all-time high.

Our series opens with the new film from Nacho Vigolondo (Timecrimes): Extraterrestrial, his smart, much-anticipated take on the alien invasion movie, in which a man and a woman wake up to a Madrid dotted with spaceships, the night after a tryst. Regional cinemas continue to produce strong work, as seen in the fascinating Catalan documentary Barcelona Before or the magic realist Galician film Crebinsky. A new generation of Spanish comedy is well represented in the selection, with everything from box-office superstar Santiago Segura’s latest Torrente film to Daniel Sánchez Areválo’s guy comedy Cousinhood. Don’t miss the Spanish-Portuguese co-production José and Pilar, an engaging, revealing portrait of the final years of Nobel Prize winner José Saramago and his Spanish wife Pilar del Rio.

We also offer a 10-film tribute to Luis García Berlanga, one of Spain’s greatest directors, who sadly passed away in November 2010. Together with Juan Antonio Bardem, Berlanga revolutionized the Spanish cinema in the Fifties and early Sixties with such masterworks as Welcome Mr. Marshall!, Plácido, and The Executioner.

Luis García Berlanga Retrospective

Together with Juan Bardem in the early Fifties, Berlanga shook up what had been a fairly dormant Spanish cinema with a series of works—That Happy Couple, The Rocket from Calabuch, and especially Welcome, Mr. Marshall!—that revealed uncomfortable truths about the rigidly controlled Francoist society. Even as the regime began to ease up a bit in the early Sixties, Berlanga, often working with screenwriter Rafael Azcona, became if anything even more barbed in his criticisms in works such as Plácido and The Executioner. Yet beyond being important documents of the growing social resistance to Franco, Berlanga’s films are treasures because their extraordinary humor always seems to propel his often madcap tales into more general, timeless observations on the human condition. There are rarely villains in his works—only characters with greater or lesser levels of self-delusion.

Luis García Berlanga, who was previously featured in Spanish Cinema Now, passed away in November 2010 at age 89. We are proud to present this special tribute in memoriam.

Acknowledgments
Spanish Cinema Now is presented by the Film Society in collaboration with the Spanish Film Institute (ICAA) in Madrid and the Instituto Cervantes in New York. Special thanks also to the Spanish Consulate General in New York.
Community Partners
King Juan Carlos I of Spain Center at NYU

Spanish Cinema Now
December 9 to 22, 2011
Film Society of Lincoln Center, New York City

Comments

Popular posts from this blog

Film News - imagineNATIVE Embargo Collective at the Berlin Film Fest

Hot Off the Presses:
(and gosh, doesn't that expression sound quaint these days?)

imagineNATIVE’s EMBARGO COLLECTIVE
to have its European Premiere at the Berlin International Film Festival 2010
(Internationale Filmfestspiele Berlin 11.-21.02.10)

(Toronto, February 3rd, 2010) The imagineNATIVE Film + Media Arts Festival is pleased to announce the official selection of the festival’s Embargo Collective programme for the Forum Expanded section of this year’s Berlin International Film Festival. This programme of works was commissioned by the imagineNATIVE festival for its 10th anniversary and will have its European premiere Monday, February 15th, 8.30pm at Cinema Arsenal 2 and a repeat screening Wednesday, February 17th, 4pm at CinemaxX 6.

Curated by imagineNATIVE’s Artistic Director Danis Goulet, the Embargo Collective is an international group of seven Indigenous artists at the forefront of the changing global landscape of Indigenous cinema. Inspired by Lars von Trier’s The Five Obstructi…

Esmeralda Enrique Spanish Dance Company Spring 2013 Toronto Performances

From a media release:

The new season brings
Esmeralda Enrique Spanish Dance Company
to new heights and new audiences

March 20-24, 2013 - A Night in Madrid
April 25-28, 2013 - Annual Toronto Season - World Premiere of Portales

TORONTO : Following on the heels of Esmeralda Enrique Spanish Dance Company's (EESDC) 30th anniversary year where its production Aguas/Waters was named one of the top five dance shows of 2012 by NOW Magazine, the early months of 2013 are full of excitement and possibility for Esmeralda and the company, which brings the finest flamenco and Spanish Classical Dance to Toronto stages.

March 20-24, 2013 - A Night in Madrid
Company dancers Esmeralda Enrique and Paloma Cortés perform Spanish Classical dance with the celebrated Tafelmusik Baroque Orchestra and Chamber Choir for A Night in Madrid featuring the Iberian flavoured music of composer Luigi Boccherini who made his home in Spain. His work is infused with the sounds of Spanish and gypsy folk music.

March 20-24 …

Guitar Rock | Happy Freuds - Echo Of Sounds Independent: May 31, 2019

Guitar Rock
Happy Freuds - Echo Of Sounds
Independent: May 31, 2019
Stream/Buy on Bandcamp
Stream it on Spotify

With tight musicians and intriguing lyrics, Happy Freuds delivers high energy guitar rock with stylistic flair on Echo Of Sounds, their debut release. Produced with a minimum of overdubs or fixes, the album consists of a mix of original material, rearrangements of works from others and selected, less known, classic rock.

A kinetic rhythm section is the bones of the music, offering interesting patterns that augment sometimes unexpected harmonic changes. It's brainy rock, in other words, meant for music lovers who can appreciate the quality. Teo's vocals are raspy and expressive, growly when necessary - perfect for the musical mode. Teo also covers lead guitar, adapt at ear worm leads, with a tone that can be clean or dirty as required

Their sound ranges from straight up hard rock in tracks like The Mountain to the pop-flavoured acoustic Background Noise and folky To …