Skip to main content

Opening in Montreal: Jim Burke's Cornered March 6-17 2013

From a media release:

Rabbit in a Hat Productions
In collaboration with Infinithéâtre presents
Cornered
Written by Jim Burke, Directed by Paul Van Dyck
Starring Howard Rosenstein & Christopher Moore
Tuesday, March 6 – Sunday, March 17, 2013


Tickets: (514) 987-1774 ext. 104
• Or online with PayPal (cash only at the door) 


MONTREAL – Rabbit in a Hat Productions in collaboration with Infinithéâtre presents a remount of Jim Burke’s Cornered directed by Paul Van Dyck and starring Howard Rosenstein and Christopher Moore. At Bain St-Michel from March 6th to March 17th.

A nasty, brutal comedy set in a seedy Manchester gym. Rex and his apprentice, Vinnie, are two corner men working a youth boxing tournament. Their boy, Little T, is the favourite to win, but the sinister gangster Doxy has other ideas. Unaware of each other’s agenda, Rex and Vinnie seek to take advantage of Doxy’s activities. But nothing is what it seems, and the two incompetent corner men’s attempts at fancy footwork leave them both sprawling on the ropes.

The award-winning play received a short but stellar run at Theatre St-Catherine in November, 2011. With the help of Infinithéâtre and an onslaught of critical and audience acclaim, this well deserved remount was inevitable.

Writer Jim Burke provides the script, which won The Manchester News Theatre Award for Best New Play in 2000. “It’s not really a boxing play,” explains Burke, “It’s about people on the outskirts of boxing. Kind of on the ropes, looking in. We never see the fight, only the before and after.” Burke himself has never boxed. When he was growing up in Manchester, England, he briefly considered taking boxing lessons in order to protect himself, but decided against it. He wrote Cornered about 12 years ago and was pleasantly surprised when it won the award for best new play. One of his previous works, an adaptation of Herman Melville’s Moby Dick had previously won the same award. Now 51 and the father of two, Burke moved to Montreal six years ago, partly for family reasons (his wife was born here). He teaches English and creative writing at Dawson College. The expression ‘corner man’, which he noted while reading an article on Muhammad Ali, triggered the play: “It rang a Samuel Beckett chord. Something about watching from the fringes as an outsider waiting for something to happen. It’s kind of a comedy. The corner men are a little inept, a little bit Laurel and Hardy. It’s not a very macho, testosterone type of play. It’s basically about good intentions being corrupted.”

Hot on the heels of the ambitious and beautiful Oroonoko at The MAI, Paul Van Dyck (Miss Sugarpuss Must Die!, Haunted, Paradise Lost) directs this walloping two-hander. His attraction to the play came from his first read. “The script is a phenomenally beautiful two-hander. Lots of plays have whistles and bells but no substance. Cornered is a complex story, simply told. The writing turns slang into poetry and two pathetic, desperate buffoons into surprisingly sympathetic anti-heroes. On the surface, Cornered is a hysterical black comedy, but at its heart is the hopeful message that although we live in a world where corruption runs rampant at every level of society, despite the devastating consequences, there exists the courage to come clean.”

Montreal actors Howard Rosenstein (Kafka’s Ape, The Leisure Society, Elizabeth Rex) and Christopher Moore (Oroonoko, Hamlet, Titus Andronicus) give Mancunian voices to the otherwise odd pairing of characters Rex and Vinnie respectively.

Despite Rex’s gruff exterior, Rosenstein feels “you have to learn to love your character. Rex doesn’t necessarily see himself as a bad person, so neither can I.” Vinnie, played by Moore, is “a wannabe thug.” He’s younger and gets a lot of abuse from Rex, as the weaker member of the team. “He’s always on the outside looking in. He seeks acceptance, especially from Rex, and I think we all want to be accepted by the people we look up to.” The first thing both actors noticed about the play was the Manchester accents they would have to adopt. Both Moore and Rosenstein were prepared for the challenge, understanding they would have to master the skill in order to properly capture the spirit of the characters. Rosenstein has a great amount of respect for the play itself and hopes to do justice to the story. “It’s a really well written, smart drama and we’re going to honour it.”

With multi award-winning lighting designer Jody Burkholder and stage manager Anne-Marie Pierre rounding out the team, Cornered is sure to be another knockout in its new digs at Bain St-Michel.

Cornered
Presented by Rabbit in Hat Productions in collaboration with Infinithéâtre
At Bain St-Michel, 5300, rue St-Dominique (corner Maguire)
March 6-17. Tuesday to Saturday 8pm, Sunday 2pm

Tickets: $25, $20 students/seniors, $68 6Pack

March 6 is opening night
March 10 at 2pm is pay-what-you-can to encourage word of mouth
Tickets: (514) 987-1774 ext. 104
Or online with PayPal (cash only at the door)

Comments

Popular posts from this blog

Film News - imagineNATIVE Embargo Collective at the Berlin Film Fest

Hot Off the Presses:
(and gosh, doesn't that expression sound quaint these days?)

imagineNATIVE’s EMBARGO COLLECTIVE
to have its European Premiere at the Berlin International Film Festival 2010
(Internationale Filmfestspiele Berlin 11.-21.02.10)

(Toronto, February 3rd, 2010) The imagineNATIVE Film + Media Arts Festival is pleased to announce the official selection of the festival’s Embargo Collective programme for the Forum Expanded section of this year’s Berlin International Film Festival. This programme of works was commissioned by the imagineNATIVE festival for its 10th anniversary and will have its European premiere Monday, February 15th, 8.30pm at Cinema Arsenal 2 and a repeat screening Wednesday, February 17th, 4pm at CinemaxX 6.

Curated by imagineNATIVE’s Artistic Director Danis Goulet, the Embargo Collective is an international group of seven Indigenous artists at the forefront of the changing global landscape of Indigenous cinema. Inspired by Lars von Trier’s The Five Obstructi…

Esmeralda Enrique Spanish Dance Company Spring 2013 Toronto Performances

From a media release:

The new season brings
Esmeralda Enrique Spanish Dance Company
to new heights and new audiences

March 20-24, 2013 - A Night in Madrid
April 25-28, 2013 - Annual Toronto Season - World Premiere of Portales

TORONTO : Following on the heels of Esmeralda Enrique Spanish Dance Company's (EESDC) 30th anniversary year where its production Aguas/Waters was named one of the top five dance shows of 2012 by NOW Magazine, the early months of 2013 are full of excitement and possibility for Esmeralda and the company, which brings the finest flamenco and Spanish Classical Dance to Toronto stages.

March 20-24, 2013 - A Night in Madrid
Company dancers Esmeralda Enrique and Paloma Cortés perform Spanish Classical dance with the celebrated Tafelmusik Baroque Orchestra and Chamber Choir for A Night in Madrid featuring the Iberian flavoured music of composer Luigi Boccherini who made his home in Spain. His work is infused with the sounds of Spanish and gypsy folk music.

March 20-24 …

Guitar Rock | Happy Freuds - Echo Of Sounds Independent: May 31, 2019

Guitar Rock
Happy Freuds - Echo Of Sounds
Independent: May 31, 2019
Stream/Buy on Bandcamp
Stream it on Spotify

With tight musicians and intriguing lyrics, Happy Freuds delivers high energy guitar rock with stylistic flair on Echo Of Sounds, their debut release. Produced with a minimum of overdubs or fixes, the album consists of a mix of original material, rearrangements of works from others and selected, less known, classic rock.

A kinetic rhythm section is the bones of the music, offering interesting patterns that augment sometimes unexpected harmonic changes. It's brainy rock, in other words, meant for music lovers who can appreciate the quality. Teo's vocals are raspy and expressive, growly when necessary - perfect for the musical mode. Teo also covers lead guitar, adapt at ear worm leads, with a tone that can be clean or dirty as required

Their sound ranges from straight up hard rock in tracks like The Mountain to the pop-flavoured acoustic Background Noise and folky To …