Skip to main content

Billie Holiday, Vocal Sampling and more; Hungarian Noir A Tribute to the Gloomy Sunday (Piranha Records - May 13 2016)

From a media release:

Billie Holiday, Vocal Sampling and more; 
Hungarian Noir A Tribute to the Gloomy Sunday
(Piranha Records - May 13, 2016)

Pre-order/Download or Play

1 Song : 12 Artists
It is the world’s deadliest song, a musical composition so lethal that merely to hear it hummed may induce suicidal tendencies. It is “Gloomy Sunday”, public menace of such potentially epidemic proportions the BBC was compelled to ban it for decades. Indeed, if contemporary news reports and eyewitness accounts are to be believed, no other song comes close to it for sheer morbidity.

“Helter Skelter”? The Manson murders were horrific, to be sure, but the role of the Beatles’ song in those tragic deaths was incidental at best, and in the end, seven lives were claimed; the number of fragile souls, meanwhile, to have succumbed to the unrelenting lugubriousness of “Gloomy Sunday” may number in the hundreds if not the thousands.

“Better By You, Better Than Me”? When played backwards, a US lawsuit alleged, this 1990 Judas Priest song prompts listeners to “do it” and commit suicide. But how deadly can a song be which must be listened to backwards? “Gloomy Sunday’s” impact is direct and instantaneous. One need only recall the story of the Roman shop boy who, hearing a beggar hum it, handed the man his money and jumped from the nearest bridge. Hungarian pianist and composer Reszo Seress wrote the original music and lyrics for Szomorú Vasárnap – Gloomy Sunday – in 1933, while heartbroken over the break-up of a romance. Though local publishers initially rejected the song as too despairing, a new version with less forlorn lyrics by poet Laszlo Javor became an instant hit – and began claiming innocent lives almost immediately.

Kakana
The song’s first victim, it is said, was the woman for whom it was penned. In the wake of its initial success, Seress’ ex-lover poisoned herself, leaving a suicide note of just two words: “Gloomy Sunday.” Hers was but the beginning of a wave of “Gloomy Sunday” suicides that ravaged Budapest in the 1930s. According to a US newspaper report from the time, “Budapest police have branded the song ‘Gloomy Sunday’ public menace No. 1 and have asked all musicians and orchestras to cooperate in suppressing it, dispatches said Today.”

No one was immune, the article claimed. “Men, women and children are among the victims. Two people shot themselves while gypsies played the melancholy notes on violins. Some killed themselves while listening to it on gramophone records in their homes. Two housemaids cut their employers’ linens and paintings and then killed themselves after hearing the song drifting up into the servant‘s hall from dinner parties.”

Seress was never prosecuted for the havoc his song unleashed (though fate may have caught up with him in 1968, when he leapt to his own death), but he and Javor alone can hardly be held responsible for “Gloomy Sunday’s” death toll. Like a plague, the song has spread, passed along by some of the most reckless and reprobate “artists” of our times.

Chango Spasiuk
Paul Robeson introduced the English version in 1935. Billie Holiday immortalized it in 1941. Björk, Ray Charles, Marianne Faithfull, Serge Gainsbourg, Diamanda Galas, Pyotr Leshchenko, Kronos Quartett – this list of infamy goes on and on. And now we can add to it the ultimate act of music industry callousness and irresponsibility – the release by Piranha Records of a collection of 10 new versions of “Gloomy Sunday” from around the world, plus the Billie Holiday masterpiece and the very Hungarian original for your digitally remastered listening pleasure.

Go ahead, listen to it if you must. But don’t say you weren’t warned. And should you be one of the fortunate ones to survive this ordeal, have the decency and good sense not to recommend it to others. Piranha Records must not be rewarded for their cynicism and betrayal of the public trust. Above all else, they must be discouraged from releasing “Gloomy Sunday vol. II”, which our sources say is already in the works.

Comments

What Else Is Hot This Week?

Harlem Stage Digital Event: A Drop Of Midnight October 13 & 15 2020

From a release:Harlem Stage Digital Event:
A Drop Of Midnight
October 13 & 15 2020A two-part conversation with Jason ‘Timbuktu’ Diakité and his creative team around the developmental process of creating his autobiographical theater project, A Drop of Midnight. In this conversation Jason will take us on his journey to becoming one of Sweden’s chart-topping hip-hop artists and a best-selling author. He’ll also share the story of how a mixtape from Brooklyn traveled across the waters to the tiny village of Lund, Sweden and altered the course of his life forever. We will examine the impact of hip hop music and culture on the globe. How has hip-hop united communities of color globally?  How do you translate a personal story into a universal truth? How do you build a creative team? How has the current climate of social justice informed your artistic practice? Jason will read excerpts from the play and share some of the music. October 13—Part IIn this conversation A Drop of Midnight author…

So You Can't Go: Six Ways To Travel Virtually

So You Can't Go:
Six Ways To Travel VirtuallyTravel is limited for most of us in the world these days. For Canadians, it depends on the province you live in, but with the border to the US still closed, and other options limited at best, virtual travel from the couch can provide at least a view with a difference at a time when you may well need it most. Google Cardboard – VR On A BudgetYou don't need a lot of cash to get into travel via virtual reality. Google Cardboard is a line of VR viewers that are, well, made of cardboard, and are priced starting at $12CAD.If you check out this link, you'll find out how to download the software to your smartphone.At this link, you can get yourself an actual Google Cardboard for a hands-free VR experience. Google Cardboard apps offer a variety of ways to experience our beautiful planet, including Google Earth itself, which can take you anywhere, along with apps to view museums and cultural artifacts, and more.Ascape VRAscape has a huge l…

Esmeralda Enrique Spanish Dance Company Spring 2013 Toronto Performances

From a media release:

The new season brings
Esmeralda Enrique Spanish Dance Company
to new heights and new audiences

March 20-24, 2013 - A Night in Madrid
April 25-28, 2013 - Annual Toronto Season - World Premiere of Portales

TORONTO : Following on the heels of Esmeralda Enrique Spanish Dance Company's (EESDC) 30th anniversary year where its production Aguas/Waters was named one of the top five dance shows of 2012 by NOW Magazine, the early months of 2013 are full of excitement and possibility for Esmeralda and the company, which brings the finest flamenco and Spanish Classical Dance to Toronto stages.

March 20-24, 2013 - A Night in Madrid
Company dancers Esmeralda Enrique and Paloma Cortés perform Spanish Classical dance with the celebrated Tafelmusik Baroque Orchestra and Chamber Choir for A Night in Madrid featuring the Iberian flavoured music of composer Luigi Boccherini who made his home in Spain. His work is infused with the sounds of Spanish and gypsy folk music.

March 20-24 …

Review: Night of the Kings / La Nuit des Rois by Philippe Lacôte

Review: 
Night of the Kings
La Nuit des Rois
by Philippe LacôteA France, Côte d'Ivoire, Canada and Senegal co-productionNow Playing In The New York Film FestivalImageAfter Venice and the Toronto Film Festival, Philippe Lacôte's Night of the Kings has moved on to conquer New York City. A young pickpocket (Koné Bakary), is incarcerated in the giant La MACA prison, the largest in Côte d’Ivoire. The prison offers a hostile atmosphere, where the guards have long given up keeping order and the prisoners run the show, albeit confined within the prison walls. They dance, sing, and mingle at will in a common area called The Jungle. There is a violent power struggle between Lord Blackbeard (Steve Tientcheu), who runs things, and the younger leaders of other factions. Blackbeard is old and infirm, and he knows he can't hold on forever. But, he does want to hold on long enough to leave on his own terms. Blackbeard designates the newcomer as the new storyteller - the griot - called Roma…

Blues/Rock: The Cole Patenaude Band - Are You Happy Now? (Independent / 24 July 2020)

Blues/Rock:
The Cole Patenaude Band - Are You Happy Now?
(Independent / 24 July 2020) Buy the CD Big vocals and infectious grooves make up this release from The Cole Patenaude Band. It's modern blues with a classic sensibility, anchored by solid musicianship and upbeat songwriting. 
Keyboard player Dean Thiessen and Patenaude on guitar trade off solos and melodic lines to keep it interesting through a range of bluesy style, incorporating rock and country, with a pop song sheen on songs like For the Money. Would You Be Mine is more Elvis-esque rockabilly, while How To Love is an acoustic song with folky storytelling lyrics and feel. 
Compromise is a standout track, with a snarly guitar line and a churchy organ swelling underneath a nice bluesy beat. Horns aren't credited in the notes, but I swear I heard some on this and a couple of the other tracks. 
As a husband, father, and full-time mechanic based in Langley, British Columbia, finding the time to make his music was a challenge…