Skip to main content

Toronto Masque Theatre Presents: The Fairy Queen by Henry Purcell 27-29 May 2016

From a media release:

Toronto Masque Theatre Presents:
The Fairy Queen
by Henry Purcell (1659-1695)

Come, let us leave the Town
And in some lonely place,
Where Crowds and Noise were never known,
Resolve to spend our days.

27-29 May 2016, 8:00 pm
Special pre-show chat at 7:15 each night

The Arts & Letters Club, 14 Elm Street, Toronto
Steps from the Dundas St. subway station


TORONTO - The Great Hall of the Arts & Letters Club is the magnificent location for Toronto Masque Theatre’s new interpretation of Henry Purcell’s The Fairy Queen. A popular entertainment in its day, this 17th-century masterpiece is re-imagined by director and choreographer Marie-Nathalie Lacoursière who casts the themes of the work into a contemporary setting, creating a new scenario that follows the fate of a number of lost souls in search of love, happiness and meaning. Lacoursière uses the precision of baroque dance to explore the passion that informs and drives Purcell’s stunning music.
The Fairy Queen by Edward Landseer
The production will feature an all-star baroque ensemble, led from the violin by Artistic Director Larry Beckwith, a company of some of our finest singers and, from the Montreal-based Les Jardins Chorégraphiques, dancers Stéphanie Brochard and Lacoursière.

Based on Shakespeare’s A Midsummer Night’s Dream, Purcell wrote the music for The Fairy Queen in 1692. Although we don’t know for sure who the librettist is, it has often been speculated that it was the actor and impresario, Thomas Betterton.

Soprano Juliet Beckwith
Our new production features a seamless scenario that focuses on the brilliant musical numbers, allowing us to present the compositions Purcell created for the original and that rank among his very best, including some of his most familiar solo songs such as:
  • If love’s a sweet passion;
  • Hark, the echoing air;
  • Night;
  • Ye gentle spirits of the air,
  • Now the night is chas’d away; and
  • One charming night.
As well as fantastic ensemble numbers:
  • Come, let us leave the town;
  • the dialogue of Corydon and Mopsa; and
  • the brilliant final trio.
The first performances of The Fairy Queen were so successful that the production was brought back in 1693. After those shows, and following Purcell’s untimely death two years later, the full score was for a long time considered lost. Although efforts were made to locate the score – including, apparently, several ads in London papers in the early 1700s offering rewards for its safe return – it wasn’t until 1900 that the score was fully recovered.

After this discovery, the score was included in the Purcell Society’s editions of his complete works and, throughout the 20thcentury, it emerged as one of Purcell’s most beloved pieces. With the advent of the early music revival in the 1960s and 70s the quality of the products improved immensely and there have been many fine recordings of The Fairy Queen by leading early music companies.

Any production of The Fairy Queen has to grapple with what to do with the spoken text.  Despite coming almost a century after the original, the text featured in The Fairy Queen is somewhat more convoluted and antiquated-sounding than Shakespeare’s original.  In addition, a full production, using all the spoken text, would last as long as six hours.

With this production, Artistic Director Larry Beckwith and Artistic Associate Marie-Nathalie Lacoursière have decided to focus on the music and the splendid dances that they believe form the emotional heart of the work.

Here's a taste of the music:


  1. Long Branch MikeMay 13, 2016 at 1:18 PM

    Toronto Masque Theatre puts on lovely operas & music, and Purcell wrote divine baroque operas (or semi-operas if one is being pedantic).


Post a Comment

Popular posts from this blog

Film News - imagineNATIVE Embargo Collective at the Berlin Film Fest

Hot Off the Presses:
(and gosh, doesn't that expression sound quaint these days?)

to have its European Premiere at the Berlin International Film Festival 2010
(Internationale Filmfestspiele Berlin 11.-21.02.10)

(Toronto, February 3rd, 2010) The imagineNATIVE Film + Media Arts Festival is pleased to announce the official selection of the festival’s Embargo Collective programme for the Forum Expanded section of this year’s Berlin International Film Festival. This programme of works was commissioned by the imagineNATIVE festival for its 10th anniversary and will have its European premiere Monday, February 15th, 8.30pm at Cinema Arsenal 2 and a repeat screening Wednesday, February 17th, 4pm at CinemaxX 6.

Curated by imagineNATIVE’s Artistic Director Danis Goulet, the Embargo Collective is an international group of seven Indigenous artists at the forefront of the changing global landscape of Indigenous cinema. Inspired by Lars von Trier’s The Five Obstructi…

Esmeralda Enrique Spanish Dance Company Spring 2013 Toronto Performances

From a media release:

The new season brings
Esmeralda Enrique Spanish Dance Company
to new heights and new audiences

March 20-24, 2013 - A Night in Madrid
April 25-28, 2013 - Annual Toronto Season - World Premiere of Portales

TORONTO : Following on the heels of Esmeralda Enrique Spanish Dance Company's (EESDC) 30th anniversary year where its production Aguas/Waters was named one of the top five dance shows of 2012 by NOW Magazine, the early months of 2013 are full of excitement and possibility for Esmeralda and the company, which brings the finest flamenco and Spanish Classical Dance to Toronto stages.

March 20-24, 2013 - A Night in Madrid
Company dancers Esmeralda Enrique and Paloma Cortés perform Spanish Classical dance with the celebrated Tafelmusik Baroque Orchestra and Chamber Choir for A Night in Madrid featuring the Iberian flavoured music of composer Luigi Boccherini who made his home in Spain. His work is infused with the sounds of Spanish and gypsy folk music.

March 20-24 …

Guitar Rock | Happy Freuds - Echo Of Sounds Independent: May 31, 2019

Guitar Rock
Happy Freuds - Echo Of Sounds
Independent: May 31, 2019
Stream/Buy on Bandcamp
Stream it on Spotify

With tight musicians and intriguing lyrics, Happy Freuds delivers high energy guitar rock with stylistic flair on Echo Of Sounds, their debut release. Produced with a minimum of overdubs or fixes, the album consists of a mix of original material, rearrangements of works from others and selected, less known, classic rock.

A kinetic rhythm section is the bones of the music, offering interesting patterns that augment sometimes unexpected harmonic changes. It's brainy rock, in other words, meant for music lovers who can appreciate the quality. Teo's vocals are raspy and expressive, growly when necessary - perfect for the musical mode. Teo also covers lead guitar, adapt at ear worm leads, with a tone that can be clean or dirty as required

Their sound ranges from straight up hard rock in tracks like The Mountain to the pop-flavoured acoustic Background Noise and folky To …