The Vancouver Art Gallery presents the Canadian premiere of David Milne: Modern Painting June 16 to September 9 2018

From a media release:

The Vancouver Art Gallery presents
the Canadian premiere of
David Milne: Modern Painting
June 16 to September 9, 2018

Innovative Painter’s First Major Exhibition in Canada in Thirty Years Reveals Highlights of Half-Century Career

May 21, 2018, Vancouver, BC – The Vancouver Art Gallery in collaboration with Dulwich Picture Gallery and the McMichael Canadian Art Collection, with support from the National Gallery of Canada, presents David Milne: Modern Painting, on view June 16 to September 9, 2018. This is the first major exhibition of Canadian artist David Milne shown in the country in thirty years. Coming direct to the Gallery from its recent European debut in London, the exhibition features close to ninety works in oil and watercolour, never-before-presented photographs, drawings and memorabilia.

David Milne, Reflected Forms, 1917, watercolour on paper

David Milne (1882 – 1953) enjoyed a career that spanned half the twentieth century, taking him from the bustling cityscape of New York, to the battlefields of Northern France and Belgium, and back to the wilderness of the Canadian and US landscape. During his progression as a painter, he carved out a distinguished place among Canada’s most original artists. Recognized for his brilliant application of colour, Milne was one of a few Canadians who exhibited in the 1913 Armory Show in New York City, the first large exhibition of modern art in North America.

After becoming an official war artist in 1918, Milne focused his art on the Canadian Forces in England and at the sites of Canadian battles in France and Belgium. With limited time to capture his subjects, out of necessity he developed a new approach to watercolour: the drybrush. This technique allowed him to quickly transfer his vivid impressions onto paper. Milne’s “war watercolours” are the core of the exhibition and are amongst the most memorable images in Canadian art. Also featured are Milne’s works from before he moved to New York and following his return to Canada in 1929. These include famed paintings of Temagami, Palgrave, Weston and Six Mile Lake.

David Milne, 1936, oil on canvas

“The Gallery is proud to bring the works of one of Canada’s most celebrated artists to Vancouver in David Milne: Modern Painting,” says Kathleen S. Bartels, Director of the Vancouver Art Gallery. “Over his half-century career, Milne developed a unique style that earned him fame beyond Canada’s borders. His groundbreaking approach to painting and his singular vision of the landscape are much-deserving of the wide recognition given by this touring exhibition.”

David Milne: Modern Painting is organized by Dulwich Picture Gallery and the McMichael Canadian Art Collection in collaboration with the Vancouver Art Gallery, with the exceptional support of the National Gallery of Canada. Following its presentation in Vancouver, the exhibition will be on view at McMichael Canadian Art Gallery in Kleinburg, Ontario from October 5, 2018 to January 14, 2019.

David Milne, Painting Place: Brown and Black, 1926, oil on canvas

• This exhibition is curated by Sarah Milroy and Ian A. C. Dejardin. They would like to acknowledge their special thanks to the Canadian Friends of Dulwich Picture Gallery. Curator's Tour with Ian A. C. Dejardin and Sarah Milroy June 17, 2018 at 3pm.

David Milne, The Boulder, 1916, oil on canvas

• Coinciding with the opening of this exhibition, Vancouver Art Gallery’s annual Heller Lecture will be given by curator Sarah Milroy on June 16, 7:00 pm at UBC Robson Square. Tickets are $30 for General Admission or $20 for students and members and can be purchased as of May 22 at vanartgallery.bc.ca

• Also on the Gallery’s first floor: Site Unseen, on view June 16 to September 9, 2018

Following David Milne: Modern Painting, which examines Milne’s innovative depiction of the landscape, Site Unseen similarly considers artists’ use of the landscape—both urban and rural—as a compelling subject. This exhibition shifts mediums from painting to contemporary lens-based practices including photography, film and video. Its artists push the boundaries of their medium by introducing visual distortions or chromatic disturbances resulting from their singular processes to produce images that are uncanny—simultaneously of this world and alien. Artists include Laura Dutton, Marten Elder, Lorraine Gilbert, Rodney Graham, Mark Lewis, Thomas Ruff, and Diana Thater.